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Another great franchise ruined by political correctness

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Even the new Joker film has the same poz, the Joker is physically attacked on the train by three white middle class stockbrokers, yet in America its 13% of the demographic commit 50% of the crimes.
He not just kills but hunts down the three white workers in a scene, its not any kind of self defense he literally hunts them down, similarly the Trump character who wants to be mayor who with his wife is tracked down and murdered by the antifa mob he inspires, its a call to arms for every muppet out there to take out white men as they are the obvious enemy. His single white mother is a mess and has abused him, and my have adopted him anyway, and is murdered by him, reject your family pleb. His other interactions with women are two single black moms, and his black female psychiatrist who bemoans that funding is being cut so cannot help, single black moms is where its at, go raise someone else's black kid pleb. He murders one of the few men in his life that actually tried to help him out, don't align with your own group pleb. He murders the father figure he has created for himself in the Robert De Niro character when he rejects him for being nuts, don't look up to any white men of influence as they will reject you just like his real father did. Film is a shitshow.
 
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IMDB isn't as bad yet as Top Movies - Best Movies of 2019 and All Time - Rotten Tomatoes where "We was kangz" is considered the best movie of all time, but its getting there Watchmen (TV Series 2019– ) - IMDb, lots of 1's versus 10's, its averaging at a 7.1 right now, somehow. This race baiting garbage is more proof the filth are pushing for conflict, attack white people being the core focus. There's a scene near the start of this shit with eggs, where the message is you got to mix the yolk with the whites if you want to break down their walls, its got everything in it. We are in post code hollywood for a long time, and there is no church or moral center to counter their shit, just like in this country, nothing to counter the state and media on its drive to replace the natives and make them out as the enemy if they disagree. This shit will only get worse as they become more emboldened, and it will have an effect on the plebs, as all such programming will eventually.
 
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I find this infatuation with the joker film weird, everyone trying to make it into the be all and end all, when You Were Never Really Here - Wikipedia is a much better film as far as im concerned, starring the same actor, and again is similar to taxi driver and others, like the new joker is similar in ways but also in opposite, like in the alley scene early on, one film he comes out on top. The film looks like a forerunner to this variation promoted, all influenced by previous films in ways.

"You were never really here" is a much better example of a western man countering the issues he is under and how he tries to navigate a fucked up system he has been subjected to, in many ways his issues are due to following the old ways that don't now work in this brave new world, where he has a way of/weight towards correcting the worst of it regards the world he sees and what he can do while he tries to continue to exist in it versus the joker is about a nutcase in a world that is nuts, you will go lunatic by default when you lose your connection to the blood and soil of your nation, without it your a default pariah in a herd of pariahs.

There are core themes throughout both, role of father, mother, son being primary, family defines community, community defines nation, this film doesn't reject that, its primary character tries to takes revenge over its loss from what i can see, the joker rejects all and promotes the world burning. The revenge/response that occurs in each film is similar but not the same, one is a outright rejection/collapse, the other is still based in some concept of right within the old standards. Don't know, just find it off, maybe im missing the obvious, outside money pushed, both films are of use to watch.

Having said all that crap, both are films of collapse, and so, is in the end american garbage from examples of one shithole city after another that they have created for themselves and are just recording for posterity. We don't need to get to this level of retardation, we still have time to sort this place out before we end up taking about how the joker is an example of Blah blah blah.
 

blackout

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I find this infatuation with the joker film weird, everyone trying to make it into the be all and end all, when You Were Never Really Here - Wikipedia is a much better film as far as im concerned, starring the same actor, and again is similar to taxi driver and others, like the new joker is similar in ways but also in opposite, like in the alley scene early on, one film he comes out on top. The film looks like a forerunner to this variation promoted, all influenced by previous films in ways.

"You were never really here" is a much better example of a western man countering the issues he is under and how he tries to navigate a fucked up system he has been subjected to, in many ways his issues are due to following the old ways that don't now work in this brave new world, where he has a way of/weight towards correcting the worst of it regards the world he sees and what he can do while he tries to continue to exist in it versus the joker is about a nutcase in a world that is nuts, you will go lunatic by default when you lose your connection to the blood and soil of your nation, without it your a default pariah in a herd of pariahs.

There are core themes throughout both, role of father, mother, son being primary, family defines community, community defines nation, this film doesn't reject that, its primary character tries to takes revenge over its loss from what i can see, the joker rejects all and promotes the world burning. The revenge/response that occurs in each film is similar but not the same, one is a outright rejection/collapse, the other is still based in some concept of right within the old standards. Don't know, just find it off, maybe im missing the obvious, outside money pushed, both films are of use to watch.

Having said all that crap, both are films of collapse, and so, is in the end american garbage from examples of one shithole city after another that they have created for themselves and are just recording for posterity. We don't need to get to this level of retardation, we still have time to sort this place out before we end up taking about how the joker is an example of Blah blah blah.
father went to see it and he said the actor was good but the film was dogshite, you know it makes me wonder do they make things bad on purpose, you can only put up with so much half arsed films.
gaming is also in a sad state with feminist shite everywhere, even though theres the capabilities to make great games.
 
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Hollywood.

The word on the net is that the latest Terminator movie is awash with lefty shyte. And it has already bombed in the box office.


And the Sequel to 'The Shining' is not exactly as Orthodox as the original Torrence family ? The main actors for the goodies AND the baddies are female....with McGregor only in a supporting role as the white guy who is weak, homeless, childless, frozen by Political Correctness, alcoholic and working as a glorified janitor. And the PC agenda makes the whole thing feel more like StarWars than Kubricks original.
 
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A new report details that Disney will be censoring a number of its classic movies for its upcoming streaming service Disney+.

CNBC reports that the streaming service will not offer its Academy Award winning 1946 animated feature Song of the South.

That really isn’t a surprise as Disney has never released the film in any home video format in the United States before.

Back in 2011, Disney CEO Bob Iger explained the decision to not release Song of the South noting the film “wouldn’t necessarily sit right or feel right to a number of people today.”

Iger added, “It wouldn’t be in the best interest of our shareholders to bring it back, even though there would be some financial gain.”
...
CNBC also reports that Disney will remove its Jim Crow character from Dumbo
...
CNBC also reports a post-credit scene from Toy Story 2 featuring Stinky Pete will also be removed from the film on Disney+.

The scene sees Stinky Pete appearing to seduce two Barbie dolls and promises he can get them roles in Toy Story 3.
...
It’s possible more censorship will be coming for Disney’s older movies. In the upcoming Lady and The Tramp live-action remake, the classic “The Siamese Cat Song” will be removed from the film with a new song replacing it.

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More and more people will be claiming the mandela effect is real, when in truth they are just changing things to suit the agenda.

Everything made in the past that does not fit the current narrative must be banned, censored or recreated with diversity and the correct opinions, as everything before the point in time of the progressive enlightenment is false, racist, sexist, homophobic etc.. etc..

 
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2019 was supposed to be Hollywood’s year of Intersectional Diversity, but the handful of good films—such as Once Upon a Time in Hollywood, Joker, The Irishman, and now Ford v Ferrari—keep turning out to be period pieces about straight white men made for straight white men by straight white men.
...
While sizable opening-weekend audiences gave this buddy picture an A+ CinemaScore grade, presidential candidate Michael Bloomberg’s media empire was incensed by it. Hannah Elliott complained in Bloomberg that the hit film dared to lack today’s obligatory Diversity-Inclusion-Equity (DIE):
But what I saw is a devastating picture of the lack of diversity that permeated the industry in the 1960s…. Because ‘Ford v Ferrari’ shows a generation best left dead and gone.
Picture this: …men dominate the screen for 98% of the time, by my unofficial count. They are in the executive suites at Ford and Ferrari, in the workshops and garages in Venice, on the track out at Willow Springs Raceway. (And when I say men, I mean white, straight men.)
Well, yeah, the Ford that went 218 mph way back in 1965 was built by white, straight men.
...
In Ford v Ferrari, Bale is in his skinny live-wire mode, like his Oscar role in The Fighter. It takes audiences a while to work out his character’s thick Birmingham accent, but eventually they grow fond of his prickly personality. My wife said she thought she’d be bored by a racing film, but she liked how Bale talked to his car while driving, turning it into a relationship movie.

If you enjoy loud cars-go-vroom noises, see it in a theater with good speakers. If you don’t, wait until you can watch it at home with closed captions to help you follow the often technical dialogue shouted over the roar of a 425-horsepower V8.

Strikingly, the filmmakers avoided almost all concessions to contemporary social justice fetishes.

The only adjustment was to drop all mention of Shelby’s lurid love life (he was married seven times) and concentrate solely upon Miles’ decorous marriage.

The movie is full of talk of “redlining,” for instance, but it’s about the risk of burning out the engine by revving it over 7000 RPM, not about discriminatory FHA loans.

No nonwhite or nonmale characters were concocted to make the history more palatable to today’s anti-white-male prejudices.

In summary, straight white men just keep ruining things for everybody else by having more talent and getting more done.
 
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